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God And I [A Two Line Poem]
Acrylic, charcoal, color pencils on canvas
13” x 182”
2023

Project statement A single scroll painted on both sides. The painting embraces the prosody of a two line poem, with each side capturing one line. The long scroll represents tongue and message, a conversation taking place between God and I. It is in dialogue with war, terror, and survival where moments of mundane beauty wins. The long piece was installed in full length, outdoors, allowing it to sway and roll with wind and other external factors. In this intertwine, a conversation occurs. Due to the material of the canvas, both sides often touched each other, both in tangle and intimacy.

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Scrolls:: (Left to Right) Fawn, Freeze, Fight, Flight

11"x98"

Acrylic, charcoal, color pencils, paper on canvas

2023

Project statement The trauma::response scrolls hold Fight, Flight, Freeze, and Fawn in 4 scrolls, all giving ode to a single poem that was drafted in Brooklyn in 2020 and finished in Miami in 2023. The poem talks about war, trauma, PTSD, and assault. Moreafter, the poem was the first ‘layer’ on the canvas, scrawled and written in graphite and color pencils before being painted over challenging ideas of readability and comprehension, aspects often damaged in light of trauma. These words were to be read the way images are read: in non-linear patterns holding weightage through both image and imagery. My motivation behind these scrolls was to create messages to lands and bodies that are no longer in materialization in physicality. Belonging and displacement hold together the nature of the medium, the scroll, which has been used for centuries to contain narratives and stories. These scrolls were painted in Miami, Slovenia, New York City, and Cincinnati over two years as a trauma response when my trauma became too much to handle. These scroll embodies the Woman in a Hybrid Colonized Landscape.

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Ayesha Raees عائشہ رئیس is a poet and artist identifying as a hybrid creating hybrid poetry through hybrid forms. Her interdisciplinary work places poetry at its center and delves into paint, film, sound,  theater, performance, and collaboration with the intention of breaking conventional ideas of linear language, form, and genre to materialize a space of belonging for marginalia and their narratives. Her work strongly revolves around issues of belonging and dislocation, G/god and spirituality, and beauty::cruelty while possessing a strong agency for decolonial, anti-violence, and anti-erasure practices. She edits poetry at The Margins and has received endorsements from Asian American Writers Workshop, Kundiman, Brooklyn Poets, UNESCO, Millay Colony For The Arts and elsewhere. Her work has been published extensively, including Poetry Northwest, Pleiades, The Nation, Poets.org and others. Her first book of poems Coining A Wishing Tower won the Broken River Prize and was an Indies Award Finalist. Originally from Lahore, she is based in New York City.

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